Far from the Madding Crowd, directed by Nicholas Renton, was a successful presentation of doubting Thomas Hardys novel. Through use of various enter techniques Hardys characters were allowed to come to life. The gloriole and main themes in the novel are also successfully portrayed.
The film effectively depicts the general atmosphere and the theme of amorous relationships of the novel. Establishing shots and long shots of the English countryside do justice to Hardys descriptions and love for the landscape, by dint of shots of long vast rolling hills, and small country towns.
The bureau of the rustics is shown I feel more clearly then in the novel through this film. Scenes of the rustics at work help to erect the setting, era and the feel of the movie and also allow the mantrap an insight into how people reacted at the time to courting and romance, through their reactions to Bathshebas affairs.
The movie accurately captures all of Hardys characters using a combination of casting, lighting, costume, music and camera techniques.
Bathshebas importance in the film is portrayed through use of Point of View shots and heart level shots to make the audience connect with her feelings. She is also very much accompanied with the main musical theme in impetuous moments. Her costume reflects moments of personality through colour, and her change in spot status through design.
Gabriel Oaks natural, loving, constant character is shown through his tie-up with the country side. Dressed in colours of dark, earthy frock he blends into the country side and is constantly shown surrounded by nature and sheep, to represent his softer side.
Sergent Troy arrogance and power is shown through the way he is in stark contrast with his surroundings. evermore in his red coat, and often accompanied by sounds of huntsmans horns and applause, he stands out...
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