No matter what they say: Its wholly about money. Right from the lead up of the texts Pretty fair sex and Pygmalion, the intellection of money is focused upon as one of the central elements, and assists in creating a sense of accessible class and social hierarchy. Both texts follow the rise of a young lady in social class, essentially determined by the desire for money. They escalate from a life of take shape and being financially challenged, to one of high esteem with all the riches they would ever desire.
Money is shown, in both texts, and indeed or so stories, to be the key determinant of social class, as intimately as a symbol of power and authority. The professions of Higgins from Pygmalion and Edward from Pretty Woman can both be associated with the higher-class individuals in the particular societies at the time of each text, being a phonetician and businessman respectively. This underlines the idea that money has similar values in both settings. However, Pygmalion poses more contrasting values in relation to how the money is obtained.
While in the day and age of Pretty Woman (Los Angeles in the 1990s), it doesnt actually matter how you come by the money or what shocking means you use to get it, at the time of Edwardian England in Pygmalion, this was much the opposite.
Respectability was quite highly valued, and whatsoever immoral activity would be much criticised by society, and looked down upon. An example of this can be seen where Doolittle is criticised by Higgins for seemingly exchange his daughter for a sum of money.
In these texts, both Eliza and Vivian undergo a journey initiated by their desire for money and social class. In their respective societies this greatly changes their attitudes, and makes them richer, both literally, and culturally.
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