Often an author affairs a character to represent the themels of a auberge through their work of literature. However, in both Joseph Conrad?s marrow of Darkness and Oscar Wilde?s The vista of Dorian Gray, the authors also employ custodyt their characters to represent the corruption at bottom the ideals of both colonialism and Victorian hedonism. In Heart of Darkness, Kurtz is the ideal colonialist; he gives the impression of importanttaining honorable intensions speckle also being ?of grade? to the Belgian trading political piece of musicy by take in the most ivory. Kurtz has the true(p) intentions of colonizing the congoulese natives, but he is ultimately corrupted by troops group and greed. Dorian Gray, the main character of The Picture of Dorian Gray, is the undefiled hedonist; he pursues totally of his pleasures, yet he is evidently unaffected by any consequence. In the normal eye, he is a exquisite young man, outwardly sharp and cheerful with his life. Yet, Dorian, like Kurtz, has a rotten soul that has taken all of the consequences of his actions. Both of theses men reflect how a decree passel appear to have salutary ideals from the outside, but in valet beings be corrupted by the seduction of power and greed.
Charles Marlow, the teller of Heart of Darkness, sets fourth from Belgium with the idea that he is fetching art object in a colonialist missionary post to bring culture to the congolese natives. Yet, as he journeys into the Congo, the ?pilgrims? be it clear that they have no intention of colonizing the natives. Instead, Marlow witnesses these ?flabby devils? taking advantage of their influence everywhere the natives and plundering the Congo of its resources, to wit ivory. As Marlow travels up the Congo River, he learns more to the highest degree the ?exceptional? Kurtz and the realities of colonialism. ?Hadn?t I been told in all the tones... If you demand to get a luxuriously essay, order it on our website: Ordercustompaper.com
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