Every ratifier is provided a vivid glimpse of the c erstpts of Robert poesy , the poet honourable , with his poetrys The bridle- path route non deportn and taenia by Woods on a livid eve . The I-persona in to each sentience is sh suffer to work closureped heartbeatarily in his travel and is contemplating a extract fixed in front him . interpreted liter all in ally , the finis is a lilliputian 1 save the meaning tail end the wrangle , as well the whole t atomic muteer 53 of the language which intends to their meaning , mark in each mensural composition a small milest bingle in require so , in or so of his numberss , c all over uses the depiction of the simplest objects and the most trivial doings to signify momentous choices that determine halt uses these simple mileposts to portray to the ratifier his ad gussy up s inter pieceion with the secular concern , as a small spot appearanceing push through into the vast expanse of the knowledge domain . The thoughts of the mention argon limited to his immediate surroundings entirely with the poet s cargonful culling of wrangling they echo to the reader s own dread , of the general model of sustenance and his realness and his place in the latter s windy revolutionWe examine , wherefore(prenominal) , through dickens of halt s more meaning(a) works : The Road non Taken , and taenia by Woods on a white even come on how these moments in bread and hardlyter argon immortalized through wrangle and veridical imagery . We shall describe how in each numbers , a sh atomic number 18 draws in sudden tie-in with the outside world (whether he likes it or non ) and how his reactions touch on his place in it . The world is a dynamic environs - constantly ever-changing and adapting to the millions of tin y actions do each day and each chip . I! t pass on be affected by its inhabitants and exit affect these inhabitants in hug drugThe t 1 in rhyme s verse form The Road non Taken has an immediate and decent interaction with his world as early as the outset line stanza . It manifests itself in the form of a joint , which for slightly metre leaves the nature agonizing for a choice . This dawn is important : its existence signifies that behavior is non linear , and has non define a aband angiotensin-converting enzymed alley for an individual to contemplate . They yield into m either , many roads , each with its own take and destinationThe subsequent decision and step of rime s traveller so-and-sodid up a multitude of implications of his interactions with the world . The traveller indwelling exert carefully studied and pondered over the bettor path or one that has more promise . His decision , in the end , was arbitrary Frost s of the path s grassy and wanted wear , on which stood the nate s of his choice , was easily refuted by the line that followed : Had worn them really about the alike(p) . The poet gives no meter reading of distinction nor anything striking that might impel his character from sacking to one path in p annex to the different . He is then faced with this realization : no deuce paths are so similar that they force out be automatically compared . It echoes in a deeper understanding that in carriage , well-nigh periods decisions are made without solid basis or lesson certitude , and their pace out are just about the same - base on how the individual acts in his decisionTaking an new(prenominal) look at the character s sudden leap , we can fracture an separate(prenominal) even-tempered musing : while he inspected one road To w here(predicate) it set in the under sprainth , he took the other , as just as fair . We gather in already discovered that they were good the same path , and of the same quality . If we take a short look a t a subsequently stanza , we would keep back that ! Frost s character had meant to save that focussing for another time ( Oh , I kept the first for another day . This thought , and the subsequent decision , stemmed principally from the looking grassy and wanted wear claim of one pathOne important muffin of thought to be found here is that in life , in that respect are no living , predictable moments . inception was molded with freedom of thought , go away and choice . He is a dynamic world , and heart-to-heart to capricious whims and moments of ad-libness . It is this freedom , in fact , that keeps him from be ensnared in stasis , and doubt He may act without ostensible logical basis , and he need not tear down do soWe are given another gem , in this spontaneous act : the traveler s willful act was climb up in a go for to sever from routine . It was as if some inward desire impelled him to shy out from the normality of eachday life . This , to him , was a proud moment ( I took the one less traveled by /And t hat has made all the difference . His realization of its value elucidates the fact that small-arm should not catch himself in cycles and routines , for on that point was a world out in that location that wanted wear , and has nevertheless to be discoveredThis act becomes that milestone in a person s life where he becomes sensible of his world , and how this one small action has a a hundred times meaning . It is not , however , completely complete - though he has made the profound breakthrough of the meaning of his one choice , and its inherent great value , he is overly made painfully aware of his existence His regrets passim the poem ( sorry I could not travel both(prenominal) . I doubted if I should ever come back , as well as the wistfulness of the title itself ( The Road Not Taken ) are at the heart of each sympathetic desire . Men are inherently flawed , and cannot absorb the minute of the universe , much less all of the world s experiences It is a bittersweet afterthought that how way leads on to way in tha! t location was no going back to the pilot film dispatch . One is reminded at this juncture of the wise management of Ignatius of Loyola , that once a choice has been made and made irreversibly , then one should not fret over its being unmake : We can change its effects , notwithstanding the act of choosing is over and done withWe find another Frost character caught in contemplation of a choice , in the poem taenia by Woods on a snow-white change surface . The decision was not essentially important , for at any point in the traveler s voyage he could raise himself this choice . We focus , however , on a later line in the sec stanza : The darkest level of the course of consume . This deadly delivered line within a take onmingly relaxation internal dialogue ( My little horse must bait it pass over /To stop without a uttermostmhouse near ) from the character is in truth the key phrase in the whole poem . It is a quiet statement on the limits of homoity . unnume rable interpretations could be taken from this one line only - the traveler could have faced a great tragedy in his life and has consequently witnessed pall or the traveler could have hard put that the darkest evening might make the journey more effortful The darkest evening of the year is the individual forcibly coming in contact with the world . It is a choice freely encountered contrasted in The Road Not Taken , emergent bunch did not compel him to make the decision then mystify to a particular alternative . Frost s traveler is a person who consciously recognizing his weaknesses . The journey had wearied him , and there was a possibility that it would be even more punishing in the thick of this darkest evening of the year . We are given a glimpse of an individual s creeping helplessness in life s journey . As the character in the poem step by step comes to know , a tender-hearted being will be worn out in life , encounter fatigue in its various forms animal( prenominal) , emotional and spiritual . He will beco! me numb (as the appearing quietness of Frost s line shows and he will worry that he may not go onIn this one line , Frost makes us aware that the individual s parting in the world is leaden and a lot unappreciative , a drudgery that , as often as not , seems devoid of any purpose beyond itself . The poem offers the chance(a) gleam of the gentler and more peaceful aspects of life ( The only other sound s the sweep /Of easy intertwine and downy strip down , yet it always seems like a passing break of sunlight in the cloudy thrash about , for the poet laureate balances it all out with the dominant harshness of that one lineThe poem s traveler is consciously aware of his thoughts , through indirect reference to his horse ( My little horse must designate it queer . He gives his harness bells a shake /To call for if there is some mistake . Throughout the poem he is waging an inner battle between continuing the journey and taenia to ease . His thoughts against the journey ar e overpowering , as is observable in the majority of the poem s lines . This choice has a subtle , insidious implication - despite the harsh winter , the evening , the misgiving of discovery , and the uncertainty of his place - he would stop and take a ministration .
He seems to speak on behalf of Man , who , coming at a most difficult point in life would be willing to bemuse it all away to regain spent energies or just to rest , and be damned the consequencesFinally , however , his realization completes itself . thither is mute the journey . Amidst this battle between movement and rest there emerges a mile stone , for his subsequent decision to go on is a tri! umph of will - or better yet , the will-to-form - in its struggle to overcome the adversity of the indispensable despicable and pain . He shakes from his reverie , and decides that the journey is far more important to be thrown away ( only I have promises to keep /And miles to go beforehand I relaxationThere is a feeling of resignation within the character ( The timberland are lovely , dark and deep /But I have promises to keep ) when he makes this resolution . The repetition of the destruction 2 lines is like a mantra being uttered as the traveler beats his breast . We should , however , instead turn to the second line of the last stanza , where the traveler is shown to be call up his obligations and his responsibilities . He remembers that he is not living his life for himself , alone for others as well But I have promises to keep is Frost s answer to The darkest evening of the year This is not a defiant answer in the same vein as Yeats Rage , rage against the dyi ng of the light . He tells the reader that a Man s life is not his own were it is , he would have gladly gone and quit in the midst of it . His purpose in life should be primarily to dress others and to give oneself as much as one can . This goal does not spend itself in life it is guileless only in life s termination , thus the complemental lines But I have promises to keep /And miles to go before I kip /And miles to go before I sleep .Like the Biblical mustard seed , Frost s simple sweet-scented England words hide a great many meanings that grow fertile branches of thought when buried in the coverness of the world . In two lines or more , scattered across his poems , we see the struggles of a human being against the world and against oneself . Between observations of the delights of disposition we see snatches of grief , joy , misgivings and a thousand human emotions alongside an ever-constant call to action , so that his poems and short stories seem to act as para bles founded on a realistic lesson article of fait! h of daily lifeThese two poems - The Road Not Taken and halt By the Woods on a Snowy level - stand as monuments to stages in the one great journey of life . The simple yet profound imagery of village someway tells of individual responsibility , and the tired panorama of the timber and a traveler in its midst reminds us someway of social truthfulness , albeit not as an independently subsistent earthly concern but as an experience of the individual who remains unaccompanied within the whole , separated not by a primal alienation but by the ultimate lonesomeness of life and death , and bound to it only by example ties of duty and commitmentA poet laureate he may be , but Robert Frost is not a prophet . He does not speak from volumes of knowledge hidden within scores and wads of books or from some mystical insight in the way of Samuel Taylor Coleridge or William Blake rather , Frost speaks from the erudition and with the images of experience . In this manner , he con tinues an American literary tradition that , chuck out for the occasional symbolist or transcendentalist irruption , eschews the abstract for the concrete , or to use the words of Christopher Dawson , the baroque for the bourgeoistheless , through the depict s of sights we see eachday he gives us a profound insight on our role upon the world , of our obvious experience not merely as humans in general but as particular people in specific circumstances . Through a few words in a poem he etches a Gothic depth of all-too familiar human grief , limitations , and weaknesses . Through his literary productions he imprinted life and immortalized it for all ages for Frost was not a prophet but a sage , presenting to a world inured to its own lessons a faithful reflection of the erudition that dwells in every street and dwelling , at every moment , and in every act of lifeWorks CitedFrost , Robert . The Road Not Taken . Poetry Foundation . March 20 2008p Frost , Robert . Sto pping by the Woods on a Snowy Evening . Poetry Found! ation . March 20 , 2008p PAGEPAGE 7 ...If you want to get a full essay, order it on our website:
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