The opening sequence effectively sets up the isolated mood of the hospital shelter through the lone car twist down a long curled road. The landscape is crude(a) and nude giving the viewer a sense of desperation and futility. The irrelevant but stylized tribal Indian medication serial the scene also adds to the sense of isolation with its on the gift of it improvised flute-like melody. When inside the ward, the euphony immediately turns into a certain vinyl record. The contrasts between the tribal melody and the classical music can be seen to symbolize the difference between the right(prenominal) subjective world and the inside mechanical artificiality. The saturation pallette also essentially turns into tints of white. There is not much colour and the satisfying scene again gives a sense of clinical artificiality. The nevertheless contrast to the drab whites is the arrival of McMurphy, dressed in a leather jacket and skull cap, starkly juxtaposes both his phys iological way and his character against the dull ward. Upon entering, McMurphy doesnt just simply bye in, he dances his way into the ward. This immediately shows his free-willed character. The film follows the narrative of Randle Patrick McMurphy sooner than foreland Bromden.
The most likely reason the focus was shifted from Bromden to McMurphy is that it would be romantic to present the narrative from the Chief as he is desensitize and dumb. It would consist of a lot of voice-overs to convey the Chiefs thoughts and extravagant example of voice-overs in films is clichéd and ineffective. The film presents the narrative in a similar order to the novel. ! McMurphy first arrives in the ward in which he establishes himself as the alpha male. He promptly gains supporters and he liberates the patients from their fears of the Big Nurse. This was marked by the major accident in... If you pauperism to get a full essay, order it on our website:
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