Elia Kazans film, On The Waterfront, demonstrates the extent to which a corrupt group can eliminate the rights of a town, tho empower an individual to make a change. Set in 1954, the film portrays the realism of desperation and corruption in the urban center of Hoboken, New Jersey. The opening scenes of On the Waterfront outline the intense view as the closed chain have over the workers at the Waterfront. Johnny neighbourly is the individual creditworthy for holding majority of the control; empowering his companions as they take the role of his subordinate authority. The use of mise-en-scene provides the film with supernumerary authenticity through emotional music, costuming and remarkable camera use. The non-white and white style implicates the era and adds to the severity of countless scenes in the film, demonstrating the authority of the mob, and lack of authority to the workingmen, including Terry. With the contribution of many, Johnny socials authority is overthrown, yet it is the protagonist, Terry Malloy, who is truly responsible for altering this complete power.
Johnny Friendly, along with his companions, demonstrates immense power over the workers to the extent that they become fearful to stand up for their rights. Through the use of cinematic techniques the endless power that the mob possesses is illustrated; the initial scenes portray them as far superior in their chic attire, wearing suits with ties, shoes that would show their reflection, along with swish hats. In great contrast, the camera continually looks down upon the longshoreman, including Terry, who stands hunch over wrapped in their coats, which have more holes than the Pittsburgh rhomb. It is the deaths of both Joey Doyle and Kayo Dugan which illustrate the lack of compassion the authority share for the longshoreman who are simply trying to create their...If you want to get a full essay, order it on our website: Ordercustompaper.com
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