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Sunday, April 7, 2013

"Fern Hill"

Dylan doubting Thomas Fern Hill celebrates the simplicity of childhood, and yet is written in a complexity of language and symbols which aligns him with other modernist poets. Thomas uses an intricate mannequin of repetition and sounds to create images of a bygone age of purity that disappeared before the narrator could even realize what was happening. By examining this divers(prenominal) form of verse that Thomas uses, and looking at the themes and imagination of Fern Hill one is able to see how Thomas is a modernist poet and the great skill in his work.

In his poetry Thomas whole caboodle from emotion and embodies a revolt against modern classicism, Oxbridge intellectualism, and the Kings English of capital of the United Kingdom (Kershner, 120). Fern Hill is written from Thomas own personal experiences, something for which he was highly criticized, but he uses his experiences to recreate the beautiful images that draw the referee in. In his poetry Thomas used a full-throated blandishment that some critics saw as hypertension of vocabulary and metre masking impoverishment of theme (Ellmann & OClair, 919). Poetic movements against his paternity developed, such as Robert Conquest, and Philip Larkin as a response to this criticism.

In this meter he uses technical experiments with sound and the rapid succession of images to introduce the beauty of nature and the influence of time.

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Thomas uses a sunrise(prenominal) sort of verse that is romantic in a smooth way and Thomas is often considered a late romantic. Thomas does not reflect the situation of the sensitive, intelligent individual in an uncongenial environment (Kershner, 121). Instead he writes with a calculate of life that is so radiantly aware of the sweetness of financial backing creating poems written for the love of Man and in praise of idol (Ellmann and OClair, 918). Through his lyrical use of sound...

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