No 1 is asking if that is the proper issue to do--only if they are able to get into any difficulty for creating it. This is reinforced once Gallagher comes towards paper to ask who gave the paper the story and the lawyer again takes the attitude how the paper is blameless.
Gallagher asks why no a single asked him first, and Carter says she referred to as and got no answer. She was told by her editor to create the call, and she was clearly reluctant to perform so. Obviously, she did not try incredibly hard, which shows not merely a certain laziness but an additional illustration of the benefits of cynicism--if the government is investigating Gallagher, he is probably guilty and would have absolutely nothing valuable to say. She fails to determine the importance of owning each sides, whilst at other things in the film she claims to would like to do just that. The commencing issue for both federal government investigators and reporters may be the same--certain people are simply lying, regardless of whether there's evidence for it or not.
Carter is a manipulative woman on numerous levels. Bob Waddell is often a government investigator who is attracted to her and who keeps asking her out, but she keeps putting him off except as soon as she needs information. He asks her factor blank if he must give up, and she keeps him dangling by implying otherwise. She manipulates people, in her very own life and as being a reporter both. She may be the female version of Elliot Rosen, and she really does not realize an open and fair man like Gallagher any more than Rosen does.
Rosen and Carter arrive together over the dilemma as Rosen deliberately leaves a folder on his desk, knowing that when Carter is alone, she will contemplate it. Both make the wrong ethical choice, and Carter compounds it by writing a story in accordance with what she finds inside folder as if it came from a "knowledgeable source," implying she was told anything she was not. The way she and her editor manipulate the wording in the story for maximum obfuscation and impact too shows that the media strives for effect more than reality and self-protection over accuracy.
ngs. He tells the prosecutor that he does not care if Gallagher has done anything--he is utilizing pressure to obtain Gallagher to accomplish his task for him and bring in facts on the murder, while he quite doesn't know if Gallagher has or could get any such information. This sort of a course of action of shooting blind and hoping that someone you threaten might be fascinating is ethically questionable on its face, and while using news media to try and do it's also questionable, though clearly that is done on much the exact same basis as the media depends on absence of malice--so you can deny you had any intent to bring about harm.
It is not until Wells brings all of the principles together in 1 room and raises questions how the degree of ethical failure is evident.
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