Peter Weir ventures out of his familiar surroundings to direct the incredibly write fool Witness in 1985. In this film Weir contrasts the peaceful, collected lopting of the countryside with the corruption of the city.
The film centres around a Pennsylvanian Amish friendship and particularly a young boy and his recently leave mother; Samuel (Lukas Haas) and Rachel (Kelly McGillis) Lapp.
After Rachels husbands death, she and Samuel leave their secluded community to visit Rachels infant in Baltimore. On their way to Baltimore, at a appurtenance station in Philadelphia, Samuel witnesses a violent murder of an covert narcotics officer. Detective John Book (Harrison Ford) is assigned the case and begins to discourse the young Amish boy and his mother. After Book uncovers the killers identity, hence the conclave behind it, he suffers a firearm injury from champion of the perpetrators. Book returns with the Lapps to Pennsylvania where he collapses due to his injuries and is forced to cleave with the Amish until he recovers. The rest of the film shows Johns integration into the Amish community and his actions in resolving the corruption.
A main feature of the film Witness, and something that allows it to function, is the contrast of the Amish and American cultures. Weir uses both visual and auditory aids to portray this contrast.
The film opens with a picturesque scene: green fields swaying on a light spring day, this is to illustrate the innocence of the Amish lifestyle, something that Weir does repeatedly throughout the movie. The camera pans with a group of Amish as they notch to the Lapp house. At this point someone unaware of the films direction or of the Amish faith could easily mistake the piece for being set in a past century. But Weir has a caption stating Pennsylvania 1984...
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