Like Water For Chocolate by Laura Esquivel - Magic Realism in Chapter 1.

Note: This essay is based on the firstborn three paragraphs of the novel.

The port Esquivel uses to begin this novel can be seen throughout the completely novel, on the very stolon of each chapter. She begins by grave us about food and slowly puts this food into the twaddle to then continue writing about the actual story.

Another carriage the writer uses is the one of communicating and relating to the reader; for example when she writes, which is so annoying! and I dont know whether thats ever happened to you. This particular path makes the reader identify with the writer, creating a sort of relationship between the writer and the reader.

The second paragraph begins with Esquivel saying that Tita used to clapperclaw and cry over onions. Nobody really cries with onions, you just give birth tears in your eyes. I think she uses this hyperbole to someway compliment and prepare us for the magic pragmatism that is to come.

Magic pragmatism is something we can see in the novel from the very beginning to end; we can especially see it in these first paragraphs. The very first sign of magic realism is when Esquivel tells us that Titas sobs were so loud that even Nacha, the cook, who was half-deaf, could hear them easily.



This is a blameless example of magic realism, where something so impossible and so overdraw is talked about and taken as if it were perfectly normal.

The magic realism continues when we are told that her wailing got so violent that is brought on an too soon labour. This, besides because its unreal, strikes me because it doesnt seem very logical. Why would she loss to exit the protection of her mothers womb and enter the world? This would further expose her even more to...

If you want to get a full essay, order it on our website: Ordercustompaper.com



If you want to get a full essay, wisit our page: write my paper