Entrapment and Confinement :: essays research papers

good deal encounter restrictions and restraints daily doors, walls, gates. The most frequently used and arduous atomic number 18 those that are intangible, be it in a job or brotherly life, whether physical or emotional, literal or figurative. Both the tangible and intangible are waitn in Charlotte Perkins Gilmans The Yellow Wallpaper and John Steinbecks The Crysanthemums. Though written by members of the opposite sex, both authors are able to capture the savours of physical and emotional imprisonment that causes a gradual moral breakdown. The Yellow Wallpaper traces the treatment of a woman who descends from depression to indulgence in the male-imposed psychiatric confinement of her room, while the wife, Elisa, in The Crysanthemums, reflects an internal seek with herself to find her place in a world of definite sexual practice roles. The situations of the two women are similar talents and dreams, hopes and desires, shunned by the economizes and times of the women, which leads to hysteria though similar, the women to conduct themselves ways drastically different from one another, which determines whether the women lose their sanity.The vote counter in The Yellow Wallpaper and Elisa Allen of The Crysanthemums both have husbands who deception the idea of knowing what their wives want and need. With such attitudes and beliefs, these men contribute to the feeling of confinement that ultimately leads to the loss of sanity of their wives. The narrators husband also assumes that he knows what is best for his wife. He conceive ofs isolation and confinement pull up stakes cure her nervous depression. Nevertheless, this cure makes her weak it transforms her into a woman gone mad. On the way to dinner, Elisa asks her husband about the fights and his immediate solution is, We can go if you want, but I dont think you would like them much. He cannot fathom the idea that she may actually have a go at it this non-feminine event.The two women follow the patter n of those going mad eventually, they begin to see things and form relationships with the public figures that reside only in their minds. The narrator gives into the figments of her imagination and begins to change this thing she imagines behind the wallpaper as a hallucinogenic image of herself. This woman becomes a deadly combination best friend and trounce enemy. She views the woman as trapped, and, in order to destitute herself from this non-fulfilling life, she must free the woman. Elisa also receives an uninvited guest, a tinker who she perceives as the unblemished emblem of freedom.