The Existence of God is Not a Magic

beau ideal remains predominate in this text, as numerous references are made to its text being the word of God in the first person.

In Boccaccio's Decameron, God and religion are elements in the novellas, but sort of of being the subject of reverence, they are the target of satire and ridicule. The Church, its priests, and religious belief are satirized throughout the work. More prevalent in the tales is the presence of magic and an intense belief in the fey. In the tales we fool that those who are gullible enough to believe in magic are ridiculed, but in many of them we see that the supernatural is provided as the reason to explain the unexplainable interchangeable ghosts, dreams, and implausible events. Miraculous events come about through God's forget or are artificially created through magic in the stories in Decameron.

In The Song of Roland we see a good dose of both God and the supernatural. We see examples of Divine intervention, for example, when Roland is sure in enlightenment by the angels Gabriel and Michael. Clearly, this is a mix of God and the supernatural, but the feats performed by Roland are magical when he uses the marque given to him by Charlemagne after he had a presage vision. We also see that because of what he endures and because of his sacrifices, Roland can be viewed as a form of martyr, which is currently Christ-like

. Charlemagne is intelligibly portrayed in the work as one of God's chosen, as shown through his miraculous or even supernatural feats displayed on the battlefield.

In small town, we see that the supernatural plays a agency from the beginning, since it is the ghost of Hamlet's father that sets Hamlet's tragedy in motion.

As the specter informs Hamlet, "I am thy father's spirit / Doomed for a certain time to walk the night, / And for the day confined to fast in fires, / Till the foul crimes done in my days of disposition / Are burnt and purged away" (Shakespeare, 1975, p. 1078). Despite being an apparition, the suggestion seems to describe some kind of existence that resembles purgatory or mayhap even Hell, a reference to God. We also see Hamlet believes in God, since he hesitates to kill Claudius in the confessional. He is horrified if he kills Claudius while he is praying, Claudius will get into enlightenment despite his sins. Hamlet often makes reference to both Heaven and Hell in the play and tells Ophelia to go to a nunnery. similarly to the other works illustrated here, Hamlet mixes the elements of God and the supernatural throughout.

In Tales from the Thousand and One Nights, we clearly see a form of God and the supernatural. In "Aladdin and the Enchanted Lamp," the lamp and its magic powers are clearly of the supernatural realm. Yet, in this story we see the supernatural blend with qualities of the character that could be viewed as God-like. For example, Ala
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