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Friday, November 2, 2012

Participation of Blacks in the Military

However, some carrys in the after-hours 1980s and 1990s began portraying a more straightforward characterization of black military men.

One of the first films to struggle with the black experience in the military in a mainstream Hollywood film was Home of the Brave. The film was an adaptation of the put to work which portrays a young Jewish soldier who is subjected to anti-Semitism from the members of his birth platoon. Stanley Kramer, who broke through racial boundaries with Guess Who's Coming To dinner party?, changed the lead character to an African-American. James Edwards plays Peter "Mossie" Moss who suffers from physical paralysis. It is discovered through flashbacks that this was engendered in him from conflict amidst Mossie and four former(a) men in his platoon who subjected him to racialist treatment. The psychologist who attends to Mossie helps him realize the paralysis stems from his wrong over the death of his best friend in the platoon, a guy who called him a "yellow-bellied nigger" during the course of battle. Mossie had a subconscious wish to see his friend dead agree to the analyst, and is suffering guilt over his actual death. Ralph Ellison felt this was an shunning of the racial issues brought to light in the film because it served to erase them, "The headhunter ends up telling Mo


cancel: I ain't fightin' this war for you, sir.

berth: Who? I mean, you deliver to go on back to Boston, big house and all that. What rough us? What do we get?

One film where we did get to see a fleshing come to the fore the black characters portrayed in the film is Glory. Starring Matthew Broderick and Denzel Washington, the film chronicles the struggles and defeats of the all-black, white-led, 54th Regiment of Massachusetts during the well-behaved fight. This film actually wrestles black military issues on an adroit level seldom viewed in cinema until this time. It, like A Soldier's Story, deals with inter and intra-racial issues within the military. Trip, played by Washington, Rawlins, played by Morgan Free man, and Searles, played by Andre Braugher, all have different racial issues and points-of-view.
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Freeman is a wise old grave-digger and Braugher is a mute bookish type who is full of ideals. Nonetheless, the overall theme of the film is about the willingness of black soldiers to fight for a country that is a good deal hostile and rejecting of them based on their race. The film grapples with racial issues between the men, and, at one point in the film, Rawlins attempts to make Trip understand that while the military may be racist and unfair to the black man, what is available to the black man outback(a) in the civilian world is not much better, if not worse, in comparison. At one point Trip is sarcastic to the white leader of the all-black regiment, Colonel Robert G. Shaw, played by Broderick. They exchange talks that expresses Trip's hostility and anger towards the white man, a white man who can count on going back to the amenities of white society when the war ends. As Trip points out in a sarcastic tone, the same option is not available to the black man. However, Rawlins tries to make Trip understand that, flat though most whites were racist to blacks in their era, many of them died for the rights of two white and black men in the Civil War:

The 1950s al
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